Sunday, September 27, 2015
Classics of Western Literature: Bloom County 1986-1989
Classics of Western Literature: Bloom County 1986-1989 by Berke Breathed
This volume is a collection of the newspaper comic strip "Bloom County" from 1986-1989 including pages of four black and white daily four panel entries and pages of two full color 6 panel Sunday entries. If you are a fan, this book provides additionally an introduction called "Last Word" containing some biographical information, Breathed's first cartoon penned in the 10th grade, his one 1977 political cartoon for the Austin American-Statesman newspaper, and 16 strips from his "Academia Waltz" submissions to the University of Texas' Daily Texan college newspaper in 1978-79. The fan who enjoys this volume may also want to read Berkeley Breathed's Outland: The Complete Collection which picks up where Bloom County leaves off in 1989 and contains all the Sunday color strips for "Outland" through it's end in 1995.
Monday, September 07, 2015
Barefoot Gen, Out of the Ashes
Barefoot Gen, Out of the Ashes by Keiji Nakazawa
Barefoot Gen, Out of the Ashes is the 4th volume of Keiji Nakazawa's autobiographical graphic novel series on living through the atomic bomb blast over Hiroshima. The atom bomb has been dropped on Hiroshima, destroying most of the city, killing many people, and causing others to become sick with radiation sickness. Gen's hair has fallen out from radiation exposure. He, his mother, and his newborn sister, no longer able to live in Hiroshima, are refugees in the town of Eba.
As this volume opens, the Emperor has just announced the surrender of Japan. Gen's two brothers return to live with them in Eba, one from the Navy and one from an evacuation camp. US soldiers are landing to study the results of the bomb. The distrust and hatred of the local community eventually becomes too much and the family moves back to what is left of Hiroshima. We see the U.S. occupation and the rebuilding of the city through the eyes of seven year old Gen.
Gen's compassion, humanity, and determination make this an inspiring book about the strength of the human spirit. The close loving values of his family are in sharp contrast to the amoral self interest of the black marketeers and the criminals who thrive in the disorder and poverty.
The work has been wonderfully translated from the Japanese original: Hadashi no Gen. It was originally published in serial form in 1972 and 1973 in Shukan Shonen Jampu, the largest weekly comic magazine in Japan, with a circulation of over two million. The drawings are all in black and white. This US edition was published as part of a movement to translate the book into other languages and spread its message. It is a powerful testimony to the strength of the human spirit and the horrors of nuclear war. There are a few introductory essays at the front of the book that help to put this book into perspective. It is a tragic but uplifting story that I highly recommend for anyone interested in the topic. This and the other volumes in the series are important books for their message on the dangers of nuclear war.
As this volume opens, the Emperor has just announced the surrender of Japan. Gen's two brothers return to live with them in Eba, one from the Navy and one from an evacuation camp. US soldiers are landing to study the results of the bomb. The distrust and hatred of the local community eventually becomes too much and the family moves back to what is left of Hiroshima. We see the U.S. occupation and the rebuilding of the city through the eyes of seven year old Gen.
Gen's compassion, humanity, and determination make this an inspiring book about the strength of the human spirit. The close loving values of his family are in sharp contrast to the amoral self interest of the black marketeers and the criminals who thrive in the disorder and poverty.
The work has been wonderfully translated from the Japanese original: Hadashi no Gen. It was originally published in serial form in 1972 and 1973 in Shukan Shonen Jampu, the largest weekly comic magazine in Japan, with a circulation of over two million. The drawings are all in black and white. This US edition was published as part of a movement to translate the book into other languages and spread its message. It is a powerful testimony to the strength of the human spirit and the horrors of nuclear war. There are a few introductory essays at the front of the book that help to put this book into perspective. It is a tragic but uplifting story that I highly recommend for anyone interested in the topic. This and the other volumes in the series are important books for their message on the dangers of nuclear war.
Sunday, September 06, 2015
The Pocket Bible or Christian the Printer, A Tale of the Sixteenth Century
The Pocket Bible or Christian the Printer, A Tale of the Sixteenth Century by Eugene Sue
The Pocket Bible or Christian the Printer, A Tale of the Sixteenth Century is the 16th and 17th book of Eugene Sue's 20 volume series The Mysteries of the People; or History of a Proletarian Family Across the Age. The series was created to be a European history that depicts the struggle between the ruling and the ruled classes. One family, the descendants of a Gallic chief named Joel, represent the oppressed and the descendants of a Frankish chief Neroweg, typifies the oppressors. Down through the ages the successive struggles between oppressors and oppressed are depicted in a series of stories that culminate in the European Revolutions of 1848.
Volume 1 of The Pocket Bible, named The Society of Jesus, is set in Paris in the year 1534 and depicts the historic events of the struggle between the Catholic church and the Reformation. This is the year that both Ignatius Loyola, the founder of the Society of Jesus which is known today as the Jesuits, and John Calvin, the founder of Calvinism, are both in Paris. While neither stay in Paris long, they both are represented in this tale of Christian the Printer and his family who have embraced Calvin's teachings only to be caught up in persecution for their beliefs by the king and the Catholics.
Volume 2, named The Huguenots, takes place 34 years later in 1569 in the protestant city of La Rochelle where Christian's grandson Antonicq is an armorer as they come under attack by Catholic forces loyal to the king.
Both volumes of this novel document the excesses of the Catholic attempts to destroy the Huguenot minority in France. The author carefully footnotes many of the most horrific details of this persecution to prove that they really occurred. As such he has carefully inserted his Gallic family into this historic novel documenting the religious turbulence of 16th century France.
Each volume in this series has a preface by their translator, the Socialist publisher Daniel De Leon, that helps set the story in the history of the labor movement of the early 20th century when these books were first made available to American readers.
TRANSLATOR'S PREFACE.
The epoch covered by this, the 16th story of Eugene Sue's dramatic historic series, entitled The Mysteries of the People; or, History of a Proletarian Family Across the Ages, extends over the turbulent yet formative era known in history as the Religious Reformation.
The social system that had been developing since the epoch initiated by the 8th story of the series, The Abbatial Crosier; or, Bonaik and Septimine, that is, the feudal system, and which is depicted in full bloom in the 14th story of the series, The Iron Trevet; or, Jocelyn the Champion, had been since suffering general collapse with the approach of the bourgeois, or capitalist system, which found its first open, or political, expression in the Reformation, and which was urged into life by Luther, Calvin and other leading adversaries of the Roman Catholic regime.
The history of the Reformation, or rather, of the conflict between the clerical polity which symbolized the old and the clerical polity which symbolized the new social order, is compressed within the covers of this one story with the skill at once of the historian, the scientist, the philosopher and the novelist. The various springs from which human action flows, the various types which human crises produce, the virtues and the vices which great historic conflicts heat into activity—all these features of social motion, never jointly reproduced in works of history, are here drawn in vivid colors and present a historic canvas that is prime in the domain of literature. In view of the exceptional importance of some of the footnotes in which Sue refers the reader to the pages of original authorities in French cited by him, the pages of an accessible American edition are in those cases either substituted or added in this translation.
DANIEL DE LEON.
New York, February, 1910.
Volume 1 of The Pocket Bible, named The Society of Jesus, is set in Paris in the year 1534 and depicts the historic events of the struggle between the Catholic church and the Reformation. This is the year that both Ignatius Loyola, the founder of the Society of Jesus which is known today as the Jesuits, and John Calvin, the founder of Calvinism, are both in Paris. While neither stay in Paris long, they both are represented in this tale of Christian the Printer and his family who have embraced Calvin's teachings only to be caught up in persecution for their beliefs by the king and the Catholics.
Volume 2, named The Huguenots, takes place 34 years later in 1569 in the protestant city of La Rochelle where Christian's grandson Antonicq is an armorer as they come under attack by Catholic forces loyal to the king.
Both volumes of this novel document the excesses of the Catholic attempts to destroy the Huguenot minority in France. The author carefully footnotes many of the most horrific details of this persecution to prove that they really occurred. As such he has carefully inserted his Gallic family into this historic novel documenting the religious turbulence of 16th century France.
Each volume in this series has a preface by their translator, the Socialist publisher Daniel De Leon, that helps set the story in the history of the labor movement of the early 20th century when these books were first made available to American readers.
TRANSLATOR'S PREFACE.
The epoch covered by this, the 16th story of Eugene Sue's dramatic historic series, entitled The Mysteries of the People; or, History of a Proletarian Family Across the Ages, extends over the turbulent yet formative era known in history as the Religious Reformation.
The social system that had been developing since the epoch initiated by the 8th story of the series, The Abbatial Crosier; or, Bonaik and Septimine, that is, the feudal system, and which is depicted in full bloom in the 14th story of the series, The Iron Trevet; or, Jocelyn the Champion, had been since suffering general collapse with the approach of the bourgeois, or capitalist system, which found its first open, or political, expression in the Reformation, and which was urged into life by Luther, Calvin and other leading adversaries of the Roman Catholic regime.
The history of the Reformation, or rather, of the conflict between the clerical polity which symbolized the old and the clerical polity which symbolized the new social order, is compressed within the covers of this one story with the skill at once of the historian, the scientist, the philosopher and the novelist. The various springs from which human action flows, the various types which human crises produce, the virtues and the vices which great historic conflicts heat into activity—all these features of social motion, never jointly reproduced in works of history, are here drawn in vivid colors and present a historic canvas that is prime in the domain of literature. In view of the exceptional importance of some of the footnotes in which Sue refers the reader to the pages of original authorities in French cited by him, the pages of an accessible American edition are in those cases either substituted or added in this translation.
DANIEL DE LEON.
New York, February, 1910.
Saturday, September 05, 2015
Barefoot Gen: A Cartoon Story of Hiroshima, Vol. 1
Barefoot Gen: A Cartoon Story of Hiroshima, Vol. 1 by Keiji Nakazawa
Barefoot Gen: A Cartoon Story of Hiroshima is an autobiographical graphic novel series that has ten volumes which was written by Keiji Nakazawa and relates his experiences during and after the atomic bomb explosion in Hiroshima on August 6, 1945. This first volume relates the experiences of Daikichi Nakaoka and his family from April 1945 to that historic and catastrophic day. He and his pregnant wife Kimie, and their five children Koji, Eiko, Akira, Gen, Shinji struggle to find food to eat as all supplies are shipped to the military to support the war effort. Their lives are complicated by his outspoken opposition to the war for which he is labelled a traitor. Throughout the book, he makes his feelings known.
"Japan will lose the war for sure." (p. 6)
"Japan can only survive by foreign trade. We should keep peace with the rest of the world." (p.13)
"The military was misled by the rich. They started the war to grab resources by force." (p.13)
"For poor people like us, war doesn't do one damn bit of good." (p. 18)
"It's because I love Japan that I'm against the war." (p. 32)
"War brings us nothing but misery. Japan has to walk the path of peace, not war." (p. 34)
"The only way to prevent war is to be friends with other people." (p. 74)
"The ones who started the war are to blame, but every citizen who willingly goes along with it is at fault also." (p. 168)
Mr. Nakaoka is taken to jail and beaten, his children are persecuted at school, the family is shunned, and their efforts to live are thwarted. The only friend they have is their Korean neighbor Mr. Pak who was brought to Hiroshima by force to work in a factory. The narrative progresses through the eyes of young 6 year old Gen and his little brother Shinji as they cry in hunger and devise methods to find and eat food.
The last 50 pages of the book that portray the events of August 6 leading up to and following the atomic bomb blast are the most compelling graphic novel content I have ever read. The story of how Gen's family survives is told in the subsequent volumes.
The work has been well translated from the Japanese original: Hadashi no Gen. It was originally published in serial form in 1972 and 1973 in Shukan Shonen Jampu, the largest weekly comic magazine in Japan, with a circulation of over two million. The drawings are all in black and white. It is a wonderful testimony to the strength of the human spirit and the horrors of nuclear war.
The book begins with an Introduction by the American cartoonist Art Spiegelman and A Note from the Author. These set this graphic novel series in perspective of the genre of autobiographical graphic novels for adults and the author's life. A publisher's note at the end tells the story of Project Gen, a movement to translate the book into other languages and spread around the world its message of the threat of nuclear war..
Barefoot Gen: A Cartoon Story of Hiroshima is an autobiographical graphic novel series that has ten volumes which was written by Keiji Nakazawa and relates his experiences during and after the atomic bomb explosion in Hiroshima on August 6, 1945. This first volume relates the experiences of Daikichi Nakaoka and his family from April 1945 to that historic and catastrophic day. He and his pregnant wife Kimie, and their five children Koji, Eiko, Akira, Gen, Shinji struggle to find food to eat as all supplies are shipped to the military to support the war effort. Their lives are complicated by his outspoken opposition to the war for which he is labelled a traitor. Throughout the book, he makes his feelings known.
"Japan will lose the war for sure." (p. 6)
"Japan can only survive by foreign trade. We should keep peace with the rest of the world." (p.13)
"The military was misled by the rich. They started the war to grab resources by force." (p.13)
"For poor people like us, war doesn't do one damn bit of good." (p. 18)
"It's because I love Japan that I'm against the war." (p. 32)
"War brings us nothing but misery. Japan has to walk the path of peace, not war." (p. 34)
"The only way to prevent war is to be friends with other people." (p. 74)
"The ones who started the war are to blame, but every citizen who willingly goes along with it is at fault also." (p. 168)
Mr. Nakaoka is taken to jail and beaten, his children are persecuted at school, the family is shunned, and their efforts to live are thwarted. The only friend they have is their Korean neighbor Mr. Pak who was brought to Hiroshima by force to work in a factory. The narrative progresses through the eyes of young 6 year old Gen and his little brother Shinji as they cry in hunger and devise methods to find and eat food.
The last 50 pages of the book that portray the events of August 6 leading up to and following the atomic bomb blast are the most compelling graphic novel content I have ever read. The story of how Gen's family survives is told in the subsequent volumes.
The work has been well translated from the Japanese original: Hadashi no Gen. It was originally published in serial form in 1972 and 1973 in Shukan Shonen Jampu, the largest weekly comic magazine in Japan, with a circulation of over two million. The drawings are all in black and white. It is a wonderful testimony to the strength of the human spirit and the horrors of nuclear war.
The book begins with an Introduction by the American cartoonist Art Spiegelman and A Note from the Author. These set this graphic novel series in perspective of the genre of autobiographical graphic novels for adults and the author's life. A publisher's note at the end tells the story of Project Gen, a movement to translate the book into other languages and spread around the world its message of the threat of nuclear war..
Monday, August 31, 2015
Fun Home
Fun Home by Alison Bechdel
I decided to read Alison Bechdel's 2006 graphic novel Fun Home because, after it was chosen by Duke University as the summer reading book for the incoming class of 2019, one student decided to say on Facebook that he would not read the book because it contained graphic visual depictions of lesbians engaging in oral sex which he felt were immoral. On reading the book I did find one page (p. 214) where cunnilingus occurs but only pubic hair is graphically depicted, and another (p. 81), without visible pubic hair, of nude females. On both pages, a female nipple is depicted. This whole thing reminds me of the furor 25 years ago over the Where's Waldo nipple depiction. I don't see why the student could not just skip those two pages since he was clearly aware of their existence.
What upset me most about this book is the depiction of 60 book covers with visible titles and authors on over 85 pages of the text, turning this graphic novel into a graphic bibliographic review of what the young college age student should be reading. Since many are depicted without comment, I feel the author did us an injustice by not provided an annotated bibliography. Characters are depicted sitting reading these books, taking them off bookstore and library shelves, handing them to each other, and stacking them up for later reading. Is it possible that Duke chose the book as a way to get awareness of these 60 books into their students' minds?
Actually the story of the book is very compelling. It is an autobiography of a daughter and her father, each dealing with their homoerotic feelings, that depicts the amazing change in attitudes that have occurred in a single generation. The father, coming of age in the 1950s, hides his homosexual feelings, marries, and has three children. While the daughter "comes out" in college, and much of the depicted bibliography are classics of homosexual biography and theory. In the middle of the book (p. 104) is a depiction of the teenage Alison walking past the location of the Stonewall riots during a visit to New York City that shows how this turning point in the gay rights struggle marks the difference between her's and her father's experience of their sexuality. This difference between the societal repression and its internalization experienced by the father, and the daughter's societal acceptance and her resulting self-awareness is at the heart of what makes this book great.
To help out Ms. Bechdel I am providing the following bibliography to the books depicted in Fun Home (with page numbers to where they appeared in the text), including links to the Wikipedia or Amazon entries.
Bibliography:
The Stones Of Venice by John Ruskin (p. 19)
Just So Stories by Rudyard Kipling (p. 21)
A Happy Death by Albert Camus (pp. 27, 48)
The Myth of Sisyphus by Albert Camus (p. 47)
The Sun Also Rises by Ernest Hemingway (pp. 61, 200)
The Great Gatsby by F. Scott Fitzgerald (pp. 61, 64)
The Far Side of Paradise by Arthur Mizener (pp. 62, 65)
The Taming of the Shrew by William Shakespeare (p. 69)
Word Is Out: Stories of Some of Our Lives (pp. 74, 75, 203)
The Well of Loneliness by Radclyffe Hall (pp. 75, 205)
Our Right to Love: A Lesbian Resource Book by Ginny Vida (p. 75)
Homosexuality in Perspective by William H. Masters (pp. 75, 76, 207)
Delta of Venus by Anaïs Nin (p.76)
Out of the Closets: Voices of Gay Liberation by Karla Jay (p.76)
Maurice by E. M. Forster (pp.76, 207)
The Gay Report: Lesbians and Gay Men Speak Out About Sexual Experiences and Lifestyles by Karla Jay (p.76)
The Front Runner by Patricia Nell Warren (p. 76)
La Batarde by Violette Leduc (p.76)
Our Bodies, Ourselves (p. 76)
Roget's Thesaurus by Peter Mark Roget (p. 76)
The Dream of a Common Language: Poems 1974-1977 by Adrienne Rich (p. 80)
Beginning with O by Olga Broumas (p. 80)
The World of Pooh by A. A. Milne (p. 80)
James and the Giant Peach by Roald Dahl (p. 81)
"Sunday Morning" by Wallace Stevens (p.82)
Zelda: A Biography by Nancy Milford (pp. 84,86)
Remembrance of Things Past by Marcel Proust (pp.92, 119)
Women in the Shadows by Ann Bannon (p. 107)
The Wind in the Willows Coloring Book Toad's Adventures by Kenneth Graeme (p. 130)
The American Dream by Edward Albee (p. 131)
Morning's at Seven by Paul Osborn (p. 132)
The Common Sense Book of Baby and Child Care by Benjamin Spock (p. 138)
Complete Works of Oscar Wilde by Oscar Wilde (pp. 154, 165)
The Waterfall by Margaret Drabble (p. 185)
The Fellowship of the Ring by J. R. R. Tolkien (p. 198)
The Catcher in the Rye by J. D. Salinger (p. 198)
Pride and Prejudice by Jane Austen (p. 199)
Heart of Darkness by Joseph Conrad (p. 200)
Ulysses by James Joyce (pp. 202, 204, 206-208, 226, 228)
A Portrait of the Artist as a Young Man by James Joyce (p. 202)
Dubliners by James Joyce (pp. 203-204)
Earthly Paradise by Colette (pp. 205, 229)
Lesbian/Woman by Del Martin (p. 205)
Orlando: A Biography by Virginia Woolf (p. 205)
Desert of the Heart by Jane Rule (p. 205)
Self-Portrait With Friends: The Selected Diaries of Cecil Beaton, 1922-1974 by Cecil Beaton (p. 205)
The Homosexual Matrix by Clarence Arthur Tripp (p. 205)
Lesbian Nation: The Feminist Solution by Jill Johnston (p. 207)
Rubyfruit Jungle by Rita Mae Brown (p. 207)
Our Right to Love: A Lesbian Resource Book by Ginny Vida (p. 207)
Mrs. Stevens Hears the Mermaids Singing by May Sarton (p. 207)
The Letters of Virginia Woolf by Virginia Woolf (p. 209)
Flying by Kate Millett (pp. 217-219)
What upset me most about this book is the depiction of 60 book covers with visible titles and authors on over 85 pages of the text, turning this graphic novel into a graphic bibliographic review of what the young college age student should be reading. Since many are depicted without comment, I feel the author did us an injustice by not provided an annotated bibliography. Characters are depicted sitting reading these books, taking them off bookstore and library shelves, handing them to each other, and stacking them up for later reading. Is it possible that Duke chose the book as a way to get awareness of these 60 books into their students' minds?
Actually the story of the book is very compelling. It is an autobiography of a daughter and her father, each dealing with their homoerotic feelings, that depicts the amazing change in attitudes that have occurred in a single generation. The father, coming of age in the 1950s, hides his homosexual feelings, marries, and has three children. While the daughter "comes out" in college, and much of the depicted bibliography are classics of homosexual biography and theory. In the middle of the book (p. 104) is a depiction of the teenage Alison walking past the location of the Stonewall riots during a visit to New York City that shows how this turning point in the gay rights struggle marks the difference between her's and her father's experience of their sexuality. This difference between the societal repression and its internalization experienced by the father, and the daughter's societal acceptance and her resulting self-awareness is at the heart of what makes this book great.
To help out Ms. Bechdel I am providing the following bibliography to the books depicted in Fun Home (with page numbers to where they appeared in the text), including links to the Wikipedia or Amazon entries.
Bibliography:
The Stones Of Venice by John Ruskin (p. 19)
Just So Stories by Rudyard Kipling (p. 21)
A Happy Death by Albert Camus (pp. 27, 48)
The Myth of Sisyphus by Albert Camus (p. 47)
The Sun Also Rises by Ernest Hemingway (pp. 61, 200)
The Great Gatsby by F. Scott Fitzgerald (pp. 61, 64)
The Far Side of Paradise by Arthur Mizener (pp. 62, 65)
The Taming of the Shrew by William Shakespeare (p. 69)
Word Is Out: Stories of Some of Our Lives (pp. 74, 75, 203)
The Well of Loneliness by Radclyffe Hall (pp. 75, 205)
Our Right to Love: A Lesbian Resource Book by Ginny Vida (p. 75)
Homosexuality in Perspective by William H. Masters (pp. 75, 76, 207)
Delta of Venus by Anaïs Nin (p.76)
Out of the Closets: Voices of Gay Liberation by Karla Jay (p.76)
Maurice by E. M. Forster (pp.76, 207)
The Gay Report: Lesbians and Gay Men Speak Out About Sexual Experiences and Lifestyles by Karla Jay (p.76)
The Front Runner by Patricia Nell Warren (p. 76)
La Batarde by Violette Leduc (p.76)
Our Bodies, Ourselves (p. 76)
Roget's Thesaurus by Peter Mark Roget (p. 76)
The Dream of a Common Language: Poems 1974-1977 by Adrienne Rich (p. 80)
Beginning with O by Olga Broumas (p. 80)
The World of Pooh by A. A. Milne (p. 80)
James and the Giant Peach by Roald Dahl (p. 81)
"Sunday Morning" by Wallace Stevens (p.82)
Zelda: A Biography by Nancy Milford (pp. 84,86)
Remembrance of Things Past by Marcel Proust (pp.92, 119)
Women in the Shadows by Ann Bannon (p. 107)
The Wind in the Willows Coloring Book Toad's Adventures by Kenneth Graeme (p. 130)
The American Dream by Edward Albee (p. 131)
Morning's at Seven by Paul Osborn (p. 132)
The Common Sense Book of Baby and Child Care by Benjamin Spock (p. 138)
Complete Works of Oscar Wilde by Oscar Wilde (pp. 154, 165)
The Waterfall by Margaret Drabble (p. 185)
The Fellowship of the Ring by J. R. R. Tolkien (p. 198)
The Catcher in the Rye by J. D. Salinger (p. 198)
Pride and Prejudice by Jane Austen (p. 199)
Heart of Darkness by Joseph Conrad (p. 200)
Ulysses by James Joyce (pp. 202, 204, 206-208, 226, 228)
A Portrait of the Artist as a Young Man by James Joyce (p. 202)
Dubliners by James Joyce (pp. 203-204)
Earthly Paradise by Colette (pp. 205, 229)
Lesbian/Woman by Del Martin (p. 205)
Orlando: A Biography by Virginia Woolf (p. 205)
Desert of the Heart by Jane Rule (p. 205)
Self-Portrait With Friends: The Selected Diaries of Cecil Beaton, 1922-1974 by Cecil Beaton (p. 205)
The Homosexual Matrix by Clarence Arthur Tripp (p. 205)
Lesbian Nation: The Feminist Solution by Jill Johnston (p. 207)
Rubyfruit Jungle by Rita Mae Brown (p. 207)
Our Right to Love: A Lesbian Resource Book by Ginny Vida (p. 207)
Mrs. Stevens Hears the Mermaids Singing by May Sarton (p. 207)
The Letters of Virginia Woolf by Virginia Woolf (p. 209)
Flying by Kate Millett (pp. 217-219)
Thursday, August 27, 2015
God
God by Alexander Waugh
God by Alexander Waugh takes on the question of who (or what) is God by going to the source, what God himself has said about himself or done in sacred texts. From the God of Adam and Eve to the present, he looks at how God acts and describes Himself to his faithful. Knowing that humans are fallible but that God must by His very nature be infallible, Waugh hopes to find the truth in this manner. He finds that the Old Testament God and Jesus are irreconcilable and different beyond justification. This leaves the reader to decide if the question of the nature of God is unanswerable, or if the author is, as his high school teacher said, suffering from "presumptuous arrogance."
Tuesday, August 11, 2015
Barefoot Gen: Life After The Bomb. A Cartoon Story of Hiroshima, Part 3 by Keiji Nakazawa
Saturday, June 06, 2015
Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail
Grandma Gatewood's Walk: The Inspiring Story of the Woman Who Saved the Appalachian Trail by Ben Montgomery
Emma Gatewood was an abused housewife who, in 1955 when she turned 67, decided to walk the Appalachian Trail. She was the first woman to walk the entire trail and she did it with about 22 pounds of gear in a hand-sewn duffle bag and Converse sneakers. I decided to read this as inspirational reading for my turning 67 and retiring from full-time employment. It has worked. While I am not planning any interstate walking, I do plan to walk myself back to fitness in the local area.
Emma's journey is well documented by Ben Montgomery who intersperses events from Emma's history with the long trek of the trail. He has access to her journals and goes looking for the people she met along the trail and to see how the trail has changed since the early days when she travelled from Georgia to Maine. It is truly an inspiring story and not an overstatement that she saved the trail.
She appeared on Groucho Marx's You Bet Your Life television show, which is now available on YouTube, but I have not been able to find the episode in which she was a guest. I would love to see her talk on screen to see how she compares with the woman Ben Montgomery has written about.
The Kingdom of God is Within You : Christianity Not as a Mystic Religion But as a New Theory of Life
The Kingdom of God is Within You : Christianity Not as a Mystic Religion But as a New Theory of Life by Leo Tolstoy
This is Tolstoy's major work on Christian nonviolence. He puts forth the principle on non-violent resistance to evil and bases it on Christian principles. It took me a long time to read this book because, being written in 1894, the significance of many of the references that Tolstoy makes to 19th century European politics and society are not easily grasped by the modern 21st century reader. Yet if you want to understand the history and theory of nonviolent resistance, I feel this is an important book to read and understand. Not only because of Tolstoy's thinking, but because he outlines the work of previous writers and activists that contributed to his thinking. Tolstoy raises the stakes on what it means to be Christian. I am sure that most of the people who profess Christianity today would turn away from Tolstoy's teachings and go on supporting their country's wars and their own personal wealth that comes from these wars. He starts small with just asking his readers to recognize the truth of what he says, and to speak the truth instead of living the lies. I believe I will read this book again someday as the long time it took to read has diluted its impact on me. Having sampled the wine and found it good, I hope someday to be able to drink it to the dregs.
Wednesday, March 11, 2015
Sister India
Sister India by Peggy Payne
In Sister India Peggy Payne masterfully mixed her travel writing background into a novel about three guests and their fateful week staying at The Saraswati Guest House alongside the Ganges River in Varanasi, India. Each is new to India. Marie Jasper is 75 and, after the death of her husband, is seeking peace in her soul. Jill Thornton is a young businesswoman doing some sightseeing after a business meeting, and T. J. Clayton is a married man from Florida on a grant to study river pollution. The Saraswati Guest House is considered to be a worthwhile experience for adventuresome travelers, largely due to the unique perspective of the massive proprietor Madame Natraja, a 300-400 pound blonde practicing Hindu from North Carolina, who has spent the last 20 years of her life in Varanasi.
The story of the week is told from the viewpoint of Madame Natraja who has spent the past 20 years turning herself from thin to obese suppressing her feelings by stuffing herself with Indian sweets. My favorite sentence in the book is on page 271 when Madame Natraja muses to herself: "Surely there is in each life a natural process of unfoldment, like the gradual bloom and ripening of the papaya, which even the most skeptical will agree is foreordained." Maybe Payne puts these words in the book to explain why it has taken 20 years for Natraja to face her inner demons. She, her Indian cook Ramesh, and these three guests will all take a new look at their lives after the killing of a Muslim man by two Hindus just outside the guest house leads to a week of retaliations and curfews.
Sister India is a short book that provides great detail without overdoing it. While experiences are related carefully and accurately, the background details of the culture and conflicts in Varanasi are given sparingly so as to not bog the reader down in history or theology. I found myself often looking up things online that Payne mentions but does not explain. While this is not necessary to understand the story line, I found it useful to see how much research Payne did in writing this work. I recommend Sister India to those who like stories about the natural healing power of the human spirit and who enjoy a novel set in a distant place.
The story of the week is told from the viewpoint of Madame Natraja who has spent the past 20 years turning herself from thin to obese suppressing her feelings by stuffing herself with Indian sweets. My favorite sentence in the book is on page 271 when Madame Natraja muses to herself: "Surely there is in each life a natural process of unfoldment, like the gradual bloom and ripening of the papaya, which even the most skeptical will agree is foreordained." Maybe Payne puts these words in the book to explain why it has taken 20 years for Natraja to face her inner demons. She, her Indian cook Ramesh, and these three guests will all take a new look at their lives after the killing of a Muslim man by two Hindus just outside the guest house leads to a week of retaliations and curfews.
Sister India is a short book that provides great detail without overdoing it. While experiences are related carefully and accurately, the background details of the culture and conflicts in Varanasi are given sparingly so as to not bog the reader down in history or theology. I found myself often looking up things online that Payne mentions but does not explain. While this is not necessary to understand the story line, I found it useful to see how much research Payne did in writing this work. I recommend Sister India to those who like stories about the natural healing power of the human spirit and who enjoy a novel set in a distant place.
Sunday, March 01, 2015
Spider House
Spider House by Van Wyck Mason
I heard of Spider House because the Oxford English Dictionary says the first usage of the phrase "cold as a witch's tit" appears on page 210 of this book:
Quote: 1932 Van Wyck Mason, Spider House p. 210 It's cold as a witch's tit outside.
I had been trying to find out where this phrase came from, and Cecil Adams' The Straight Dope listed the OED reference and goes on to say: "Van Wyck Mason was a writer of mysteries, at a time when colorful metaphors were common. There is a strong possibility that he invented the phrase himself." So I started looking into the book and Van Wyck Mason, its author.
Fortunately my local college library has the original 1932 edition of Spider House. As a special treat this copy was originally owned by Merle Norman whose famous line of cosmetics is known around the country.
The story is about a man named Ezra Boonton who made a fortune on Wall Street taking money from poor good-hearted people. He became known as The Spider of the Street and is now retired and living in fear for his life in a specially built house in New Brunswick, NJ, where he has blockaded himself on the 2nd floor with a guard and security systems to protect him from being murdered. On a particular cold November night he has asked State Trooper Captain Janos Catlin to visit him because he is in "a momentary danger" of his life. At the house are his butler/guard Kelly, his nurses Dora DelRay and Hans Gruber, his brother Juan Boonton, and Dr. Lewes his physician. Two more troopers join Captain Catlin to provide extra security. Then, in this secure house, first the butler appears to shoot himself while cleaning his gun and then it seems a gun with a silencer is used to kill Ezra Boonton, but the murder weapon cannot be found. All that can be determined is that several people heard a low hum and there is a smell of burnt hair.
By the time it is solved this is quite an elaborate mystery with lots of excitement and intrigue. Van Wyck Mason's writing suffers from racial and ethnic caricatures that, while acceptable in the 1930s, make this book hard to read now. As for the famous phrase in the book, "It's cold as a witch's tit outside," that would outlive the author's fame, it was one of seven similes for how cold it was that Mason used in this book. The others being:
Cold as an Arctic gale (p.74), Cold as all hell (p.107), Cold as human greed (p.107), Cold as a grave stone (p.210) Cold as a witch's tit (p. 210), Colder'n a loan shark's smile (p.214), and Cold as a Pharoah's heart (p.272).
This gives credence to Cecil Adam's theory that Mason was just trying to use colorful similes to get across the frigidness of the weather.
Quote: 1932 Van Wyck Mason, Spider House p. 210 It's cold as a witch's tit outside.
I had been trying to find out where this phrase came from, and Cecil Adams' The Straight Dope listed the OED reference and goes on to say: "Van Wyck Mason was a writer of mysteries, at a time when colorful metaphors were common. There is a strong possibility that he invented the phrase himself." So I started looking into the book and Van Wyck Mason, its author.
Fortunately my local college library has the original 1932 edition of Spider House. As a special treat this copy was originally owned by Merle Norman whose famous line of cosmetics is known around the country.
The story is about a man named Ezra Boonton who made a fortune on Wall Street taking money from poor good-hearted people. He became known as The Spider of the Street and is now retired and living in fear for his life in a specially built house in New Brunswick, NJ, where he has blockaded himself on the 2nd floor with a guard and security systems to protect him from being murdered. On a particular cold November night he has asked State Trooper Captain Janos Catlin to visit him because he is in "a momentary danger" of his life. At the house are his butler/guard Kelly, his nurses Dora DelRay and Hans Gruber, his brother Juan Boonton, and Dr. Lewes his physician. Two more troopers join Captain Catlin to provide extra security. Then, in this secure house, first the butler appears to shoot himself while cleaning his gun and then it seems a gun with a silencer is used to kill Ezra Boonton, but the murder weapon cannot be found. All that can be determined is that several people heard a low hum and there is a smell of burnt hair.
By the time it is solved this is quite an elaborate mystery with lots of excitement and intrigue. Van Wyck Mason's writing suffers from racial and ethnic caricatures that, while acceptable in the 1930s, make this book hard to read now. As for the famous phrase in the book, "It's cold as a witch's tit outside," that would outlive the author's fame, it was one of seven similes for how cold it was that Mason used in this book. The others being:
Cold as an Arctic gale (p.74), Cold as all hell (p.107), Cold as human greed (p.107), Cold as a grave stone (p.210) Cold as a witch's tit (p. 210), Colder'n a loan shark's smile (p.214), and Cold as a Pharoah's heart (p.272).
This gives credence to Cecil Adam's theory that Mason was just trying to use colorful similes to get across the frigidness of the weather.
Monday, February 02, 2015
Wim Delvoye: Art Farming
Wim Delvoye: Art Farming by Wim Delvoye
Wim Delvoye is a Belgian artist. One of his projects has been tattooing pigs and exhibiting them in various places around the world. Originating in Belgium, he now has a farm in China called the Art Farm where he raises these pigs. This book, published in 2008, is a photographic album of this project. Each chapter contains color photos from different places arranged in chronological order from 1997 to 2007. Some are collections of photos from exhibits which, since his art is displayed on the skins of live pigs, have the strange mix of an art exhibit and an agricultural show. Some chapters are of his production facilities, first in Belgium and later in China, where he has tattooed and raised the pigs. The cover and fly leafs are pictures of tattoos on the skins of two of his pigs. There are no captions to the photos, just an introductory chapter title giving the location and date of the photos in the set. At the end of the book is a page giving a full Exhibition List showing all the places the pigs have been.
If you want to know more about this project you will have to look elsewhere. This book could have used some additional text to describe the photos, the project, the lives of the pigs, or reactions to the work. It stands as a visual display. The pictures show pigs at the farm, at exhibits, being tattooed, and being seen by audiences and staff. The tattoos are beautiful as are the pigs. While the pigs seem to have a better life than the typical factory farmed pigs raised for food, the book raises questions in my mind on the relationship between humans and animals. This is certainly an unusual aspect of the relationship, but totally in keeping with the power dynamics of humans and farm animals.
If you want to know more about this project you will have to look elsewhere. This book could have used some additional text to describe the photos, the project, the lives of the pigs, or reactions to the work. It stands as a visual display. The pictures show pigs at the farm, at exhibits, being tattooed, and being seen by audiences and staff. The tattoos are beautiful as are the pigs. While the pigs seem to have a better life than the typical factory farmed pigs raised for food, the book raises questions in my mind on the relationship between humans and animals. This is certainly an unusual aspect of the relationship, but totally in keeping with the power dynamics of humans and farm animals.
Sunday, January 25, 2015
Femen
Femen by Galia Ackerman
Femen tells the story of the Femen radical feminist group that originated in Ukraine and has become an international movement based in Paris. Told by French historian Galia Ackerman this brief history also includes many sections written by the four major founders of the movement Anna Hutso, Oksana Shachko, Alexandra Shevchenko, and Inna Shevchenko. The result is both an objective look and a personal statement.
Femen is a nonviolent radical group opposed to women's oppression that uses the tactic of appearing at public meetings of major sexist patriarchal political figures with flower crowns on their heads and bare chests covered in brief feminist slogans like "Ukraine is Not a Brothel." They are radical in that their purpose is to disrupts events, so as to be arrested and removed forcibly by police, creating publicity for their cause.
The book tells the story of how these women met, became radical feminists, and built a movement in five years that drew world-wide attention. It explains how they developed their ideology and their methodology. There is an Afterword entitled One Year Later that tells of events in 2013 after the completion of the book. The book is one-sided telling Femen's history from the perspective of its leaders. While conflicts and criticisms are mentioned, the leaders are portrayed as they see themselves.
Femen is a nonviolent radical group opposed to women's oppression that uses the tactic of appearing at public meetings of major sexist patriarchal political figures with flower crowns on their heads and bare chests covered in brief feminist slogans like "Ukraine is Not a Brothel." They are radical in that their purpose is to disrupts events, so as to be arrested and removed forcibly by police, creating publicity for their cause.
The book tells the story of how these women met, became radical feminists, and built a movement in five years that drew world-wide attention. It explains how they developed their ideology and their methodology. There is an Afterword entitled One Year Later that tells of events in 2013 after the completion of the book. The book is one-sided telling Femen's history from the perspective of its leaders. While conflicts and criticisms are mentioned, the leaders are portrayed as they see themselves.
Thursday, January 08, 2015
Out of Oz
Out of Oz, by Gregory Maguire
I wanted to like this book more because there are a lot of really good plot elements. However, for a final book of a series, it feels like Maguire was just trying to tie up loose ends rather than making some grand closing statement.
His first book Wicked inverted the L. Frank Baum's Oz story making it about Glinda the Good Witch and Elphaba the Wicked Witch of the West, and telling the story from Elphaba's point of view. He presents an Oz troubled by civil war and social injustice that is much different than the benevolent fairyland of L. Frank Baum. Dorothy is now only a minor character who succeeds in killing both wicked witches but does little else. The second book of The Wicked Years series, Son of a Witch, tells the story of Liir, a boy Elphaba raised who may be her son. The third book, A Lion Among Men, tells the story of Brrr, the Cowardly Lion.
Out of Oz claims to be the final volume in the Wicked Years, but its ending leads me to believe that a new era may follow the Wicked era of these four books. It tells the story of Liir's daughter Rain who is born green like her grandmother Elphaba as she and Liir struggle to stay alive being hunted by both sides in the ongoing war. Some of Baum's most famous characters like the Scarecrow and Tin Woodman are only mentioned in passing, and others like Jack Pumpkinhead, Tiktok and General Jinjur make the briefest of cameo appearances. Dorothy, Tip and Mombi have roles to play but they seem to be inserted into Maguire's world as an afterthought rather than integral parts of the story. Only Brrr the Lion has made the transition naturally from Baum's Oz to Maguire's.
While some elements of the plot seem contrived, the basic story of Rain and her parents negotiating their own familial relationships while trying to find peace in a troubled country at war is a strong and fitting end to the series.
His first book Wicked inverted the L. Frank Baum's Oz story making it about Glinda the Good Witch and Elphaba the Wicked Witch of the West, and telling the story from Elphaba's point of view. He presents an Oz troubled by civil war and social injustice that is much different than the benevolent fairyland of L. Frank Baum. Dorothy is now only a minor character who succeeds in killing both wicked witches but does little else. The second book of The Wicked Years series, Son of a Witch, tells the story of Liir, a boy Elphaba raised who may be her son. The third book, A Lion Among Men, tells the story of Brrr, the Cowardly Lion.
Out of Oz claims to be the final volume in the Wicked Years, but its ending leads me to believe that a new era may follow the Wicked era of these four books. It tells the story of Liir's daughter Rain who is born green like her grandmother Elphaba as she and Liir struggle to stay alive being hunted by both sides in the ongoing war. Some of Baum's most famous characters like the Scarecrow and Tin Woodman are only mentioned in passing, and others like Jack Pumpkinhead, Tiktok and General Jinjur make the briefest of cameo appearances. Dorothy, Tip and Mombi have roles to play but they seem to be inserted into Maguire's world as an afterthought rather than integral parts of the story. Only Brrr the Lion has made the transition naturally from Baum's Oz to Maguire's.
While some elements of the plot seem contrived, the basic story of Rain and her parents negotiating their own familial relationships while trying to find peace in a troubled country at war is a strong and fitting end to the series.
Monday, December 29, 2014
It Rhymes with Lust
It Rhymes with Lust by Arnold Drake & Leslie Waller with Illustrations by Matt Baker
It Rhymes with Lust, written in 1949, lays claim to being the first graphic novel, combining a novel-length story with comic book art and speech balloon dialog. At the time the authors called it a picture novel as the term graphic novel didn't come into use until the 1970s. Reprinted in 2006 by Black Horse Books, this early graphic novel while primarily of interest for its historic significance, remains a beautifully drawn work that is filled with panels that create lasting impressions.
The book is about a power struggle in Copper City, a mining town run by mine owner Buck Masson until his death. In his absence, Buck's scheming second wife Rust Masson and political boss Marcus Jeffers are fighting for control. Rust asks her old lover Hal Weber, a disillusioned newspaperman who still has a powerful longing for her, to be editor of the local paper and help her fight Jeffers. While Hal still longs for Rust, he finds himself smitten with Audrey Masson, Buck's virtuous and beautiful daughter from his first wife. Can she convince him of Rust's treachery, win his heart, and save the town?
While the story is well-written, it suffers from age, and plot elements that were fresh 65 years ago can seem corny or formulaic. What makes this book a joy to read is the artwork of Matt Baker that has held up well over the years. Baker was one of the few African-American artists in the field at the time, and his female characters are not only well-drawn, but their stylish clothing is amazing.
The 2006 edition contains a 5-page Afterword by Arnold Drake that provides the historic setting for this groundbreaking novel. Also included are brief biographies of Matt Baker and the two authors.
The book is about a power struggle in Copper City, a mining town run by mine owner Buck Masson until his death. In his absence, Buck's scheming second wife Rust Masson and political boss Marcus Jeffers are fighting for control. Rust asks her old lover Hal Weber, a disillusioned newspaperman who still has a powerful longing for her, to be editor of the local paper and help her fight Jeffers. While Hal still longs for Rust, he finds himself smitten with Audrey Masson, Buck's virtuous and beautiful daughter from his first wife. Can she convince him of Rust's treachery, win his heart, and save the town?
While the story is well-written, it suffers from age, and plot elements that were fresh 65 years ago can seem corny or formulaic. What makes this book a joy to read is the artwork of Matt Baker that has held up well over the years. Baker was one of the few African-American artists in the field at the time, and his female characters are not only well-drawn, but their stylish clothing is amazing.
The 2006 edition contains a 5-page Afterword by Arnold Drake that provides the historic setting for this groundbreaking novel. Also included are brief biographies of Matt Baker and the two authors.
Tuesday, December 16, 2014
Safe Area Gorazde: The War in Eastern Bosnia 1992-1995
Safe Area Gorazde: The War in Eastern Bosnia 1992-1995, by Joe Sacco
A friend of mine loaned Safe Area Goražde to me. When I started reading it, I discovered that it has to do with the same region of Bosnia as Ivo Andric's Nobel Prize winning 1945 novel Bridge on the Drina. In fact, on page 110 of Safe Area Goražde, Sacco tells how on June 17, 1992 Serbian Chetniks killed 300 Bosnian Muslims on this bridge and threw the corpses into the Drina River. Andric used the historic Mehmed Paša Sokolović Bridge in Višegrad (the next town down the river from Goražde) as the principle "character" in his novel that covers 400 years of life in this small area of Bosnia, telling the history of the Serb and Muslim people in a series of episodes over time.
In his graphic novel Joe Sacco tells of his visits to Goražde in 1995 and 1996, his interviews with the people of the city, and their memories of the war in eastern Bosnia that started in 1992. His work reminds me of Martha Gellhorn's reporting of the turmoil in Europe in the 1930s in the personal touch he brings by telling the story through the people he met. Gelhorn was no artist and relied on her prose, while Sacco brings his story to life with his great black and white drawings.
Sacco's story is of the Muslim residents of Goražde and the assault on their UN designated "safe zone" by Serbian forces. It is one-sided as is most war reporting, but his attention to detail and his closeness to the people he writes about makes this a compelling and powerful story. His being "embedded" with the people of the city allows him to get details and personalities that escape most war reporting. What he doesn't do well is explain why the Serbs suddenly turn on their neighbors in such a violent and deadly fashion.
I recommend reading Andric's Bridge on the Drina for people who wonder why the Serbs suddenly turned to armed conflict and ethnic cleansing after living together in peace with the other nationalities in Yugoslavia.
In his graphic novel Joe Sacco tells of his visits to Goražde in 1995 and 1996, his interviews with the people of the city, and their memories of the war in eastern Bosnia that started in 1992. His work reminds me of Martha Gellhorn's reporting of the turmoil in Europe in the 1930s in the personal touch he brings by telling the story through the people he met. Gelhorn was no artist and relied on her prose, while Sacco brings his story to life with his great black and white drawings.
Sacco's story is of the Muslim residents of Goražde and the assault on their UN designated "safe zone" by Serbian forces. It is one-sided as is most war reporting, but his attention to detail and his closeness to the people he writes about makes this a compelling and powerful story. His being "embedded" with the people of the city allows him to get details and personalities that escape most war reporting. What he doesn't do well is explain why the Serbs suddenly turn on their neighbors in such a violent and deadly fashion.
I recommend reading Andric's Bridge on the Drina for people who wonder why the Serbs suddenly turned to armed conflict and ethnic cleansing after living together in peace with the other nationalities in Yugoslavia.
Wednesday, November 26, 2014
John Dough and the Cherub
John Dough and the Cherub by L. Frank Baum
Published in 2008 by Hungry Tiger, a press that publishes quality editions of the works of L. Frank Baum, this book brings together L. Frank Baum's original 1906 text and all of John R. Neill's original illustrations with a new 13 page foreword by J. L. Bell, editor of the International Wizard of Oz Club's magazine Oziana. Also included is a one page note on the making of this new edition by David Maxine of Hungry Tiger Press. This is a loving recreation of a book that, while in the Public Domain, has been out of print for a long time.
J. L. Bell tells us in the foreword that the book was originally commissioned for serialization by Ladies' Home Journal, the largest subscription magazine in the world at the time. However, when Baum submitted his first four chapters based on a children's story "The Gingerbread Boy" about a pastry that comes to life and runs away rather than be eaten by everyone he meets, the editor decided to reject the story. The story published in St. Nicholas Magazine in 1875 comes to an abrupt end when the pastry is eaten by a fox.
While the original story does not explain how the gingerbread comes to life, Baum has an Arab named Ali Dubh who is being pursued by three other Arabs, visit an American bake shop in his neighborhood and ask the baker's wife to hide a golden flask that contains The Great Elixir, the Water of Life, that his pursuers seek. In return he offers her a silver flask that will cure her rheumatism. The woman mixes up the two flasks and pours the Water of Life into a large bowl of water which her husband, unaware of its significance, uses to fashion a life-sized gingerbread man. Infused with The Great Elixir, the baker's creation that he named John Dough comes to life and begins to stroll through the town.
While all who meet him think of him as food, John Dough sees himself as a living being with a life of his own. This creates even more existential conflict when it becomes obvious to him and others that anyone who does eat him will not only fill their stomach but gain the benefits of the Water of Life and become stronger and more vibrant. Ali Dubh pays the baker for the gingerbread man and starts off in pursuit of his property. To escape capture John Dough catches a ride on a 4th of July rocket and lands days later on the Isle of Phreex in what Baum will in a a later book call the Nonestic Ocean. It is the body of water that surrounds the land that contains his fairyland of Oz.
When John Dough lands on the Isle of Phreex, a place inhabited by unusual people, it appears he has found a home where he can be accepted and makes friends with Chick the Cherub, an Incubator Baby who has grown up on the isle without parents. No one seems to know Chick's gender making the Cherub gender queer in today's terminology, a character that does not conform to either male or female gender identification. J. L. Bell in the foreword tells of a contest where the publisher would reward the reader who submitted the best reason Chick was a boy or a girl.
However, John and Chick are not safe and Ali Dubh is in hot pursuit. Does John Dough get eaten or allow himself to be eaten? Can you guess Chick's gender? All the while Baum has his characters on an island hopping adventure as they seek safety and a home. This book has many features of his American fairytale series of stories, where he tries to bring the magic of fairytales to everyday American settings, and it has the features of a minor Oz story in that it also takes place in the magical lands surrounding Oz, but without any of the main Ozian characters. I like it because it raises ethical questions about owning and eating living creatures and takes a refreshing look at gender identity. The book will appeal to Baum's fans and deserves reading because of the issues it addresses.
Published in 2008 by Hungry Tiger, a press that publishes quality editions of the works of L. Frank Baum, this book brings together L. Frank Baum's original 1906 text and all of John R. Neill's original illustrations with a new 13 page foreword by J. L. Bell, editor of the International Wizard of Oz Club's magazine Oziana. Also included is a one page note on the making of this new edition by David Maxine of Hungry Tiger Press. This is a loving recreation of a book that, while in the Public Domain, has been out of print for a long time.
J. L. Bell tells us in the foreword that the book was originally commissioned for serialization by Ladies' Home Journal, the largest subscription magazine in the world at the time. However, when Baum submitted his first four chapters based on a children's story "The Gingerbread Boy" about a pastry that comes to life and runs away rather than be eaten by everyone he meets, the editor decided to reject the story. The story published in St. Nicholas Magazine in 1875 comes to an abrupt end when the pastry is eaten by a fox.
While the original story does not explain how the gingerbread comes to life, Baum has an Arab named Ali Dubh who is being pursued by three other Arabs, visit an American bake shop in his neighborhood and ask the baker's wife to hide a golden flask that contains The Great Elixir, the Water of Life, that his pursuers seek. In return he offers her a silver flask that will cure her rheumatism. The woman mixes up the two flasks and pours the Water of Life into a large bowl of water which her husband, unaware of its significance, uses to fashion a life-sized gingerbread man. Infused with The Great Elixir, the baker's creation that he named John Dough comes to life and begins to stroll through the town.
While all who meet him think of him as food, John Dough sees himself as a living being with a life of his own. This creates even more existential conflict when it becomes obvious to him and others that anyone who does eat him will not only fill their stomach but gain the benefits of the Water of Life and become stronger and more vibrant. Ali Dubh pays the baker for the gingerbread man and starts off in pursuit of his property. To escape capture John Dough catches a ride on a 4th of July rocket and lands days later on the Isle of Phreex in what Baum will in a a later book call the Nonestic Ocean. It is the body of water that surrounds the land that contains his fairyland of Oz.
When John Dough lands on the Isle of Phreex, a place inhabited by unusual people, it appears he has found a home where he can be accepted and makes friends with Chick the Cherub, an Incubator Baby who has grown up on the isle without parents. No one seems to know Chick's gender making the Cherub gender queer in today's terminology, a character that does not conform to either male or female gender identification. J. L. Bell in the foreword tells of a contest where the publisher would reward the reader who submitted the best reason Chick was a boy or a girl.
However, John and Chick are not safe and Ali Dubh is in hot pursuit. Does John Dough get eaten or allow himself to be eaten? Can you guess Chick's gender? All the while Baum has his characters on an island hopping adventure as they seek safety and a home. This book has many features of his American fairytale series of stories, where he tries to bring the magic of fairytales to everyday American settings, and it has the features of a minor Oz story in that it also takes place in the magical lands surrounding Oz, but without any of the main Ozian characters. I like it because it raises ethical questions about owning and eating living creatures and takes a refreshing look at gender identity. The book will appeal to Baum's fans and deserves reading because of the issues it addresses.
Sunday, November 23, 2014
Auschwitz
Auschwitz by Pascal Croci
Auschwitz is a graphic novel depicting a typical Jewish family's experience of the Nazi death camp written by Italian artist Pascal Croci. The author portrays Kazik and Cessia looking back 50 years to their time at Auschwitz from their current life in Yugoslavia. He portrays the transport by train, the initial selection process where they are separated from each other and their daughter Ann, Kazik's day to day life, his work in the gas chambers and crematoria, the whole horror of the death camp is portrayed through the lives of these two composite personalities.
The book concludes with 13 pages of information about the project of creating the book. There are four pages of questions and answers, information on the sources he used for the characters and imagery, a glossary, and a bibliography of sources.
Not for the squeamish, this is a good introduction to what the realities of Auschwitz were.
Auschwitz is a graphic novel depicting a typical Jewish family's experience of the Nazi death camp written by Italian artist Pascal Croci. The author portrays Kazik and Cessia looking back 50 years to their time at Auschwitz from their current life in Yugoslavia. He portrays the transport by train, the initial selection process where they are separated from each other and their daughter Ann, Kazik's day to day life, his work in the gas chambers and crematoria, the whole horror of the death camp is portrayed through the lives of these two composite personalities.
The book concludes with 13 pages of information about the project of creating the book. There are four pages of questions and answers, information on the sources he used for the characters and imagery, a glossary, and a bibliography of sources.
Not for the squeamish, this is a good introduction to what the realities of Auschwitz were.
Can't We Talk about Something More Pleasant?
Can't We Talk about Something More Pleasant? by Roz Chast
George and Elizabeth Chast were born of immigrant Jewish parents 10 days apart in 1912 in the same neighborhood of New York City. when they married they lived together in the same Brooklyn apartment their whole lives and had one child, a daughter named Roz. George was a teacher and Elizabeth an assistant principle in the city schools. When Roz grew up she became a book illustrator and cartoonist for the New Yorker and other magazines. She had two children and moved to Connecticut.
Roz Chast uses drawings and text to explore her complex and conflicted relationship with her elderly parents from 2001 until their deaths in 2007 and 2009 as she is called on to care for them through their declining years. It is a memoir in graphic novel format with occasional photographs.
She is best at depicting her own insecurities and feelings as she is drawn deeper and deeper into the care of her parents. From occasional visits to Brooklyn to moving them to a facility nearby in Connecticut we see how she resists and accepts her evolving role as caretaker. Through memories and photos we learn of their early lives together.
I recommend this book for anyone who wants to get an in depth and personal look at the process of caring for elderly parents. My mother is 95, and she and I are on Chapter 11 of this book as she marks her first anniversary in an assisted living facility. I read this book twice and plan to read it again. Even if you don't have aging parents, but are getting old yourself, this is an eye-opener for what is in store.
Roz Chast uses drawings and text to explore her complex and conflicted relationship with her elderly parents from 2001 until their deaths in 2007 and 2009 as she is called on to care for them through their declining years. It is a memoir in graphic novel format with occasional photographs.
She is best at depicting her own insecurities and feelings as she is drawn deeper and deeper into the care of her parents. From occasional visits to Brooklyn to moving them to a facility nearby in Connecticut we see how she resists and accepts her evolving role as caretaker. Through memories and photos we learn of their early lives together.
I recommend this book for anyone who wants to get an in depth and personal look at the process of caring for elderly parents. My mother is 95, and she and I are on Chapter 11 of this book as she marks her first anniversary in an assisted living facility. I read this book twice and plan to read it again. Even if you don't have aging parents, but are getting old yourself, this is an eye-opener for what is in store.
Friday, September 26, 2014
The Sands of Time: A History of Hilton Head Island
The Sands of Time: A History of Hilton Head Island by Margaret Greer
Margaret Greer, who lived on Hilton Head Island, wrote this 11 chapter illustrated popular history of the island from its geological formations to the mid-1980s. In 70 pages she covers the island's history and still finds room for both color and black and white pictures on at least every other page.
Chapter I, The Land Made Ready, is a one page geological history of the formation of the island. Chapter II, The Indians, covers in three pages the native American Yemasee tribe's presence on the island and the legacy of names left by them. In Chapter III, The First Europeans, the 16th century Spanish landings and attempts at settlements are discussed in three pages. The French landing in 1562 gets four pages in Chapter IV. This is followed by the three pages of Chapter V on the Spanish return to the area in the late 16th century. Chapter VI, The English Come to Stay, devotes seven pages to the 1663 explorations of Captain William Hilton, who gave the island its present name, and the English settlements that followed.
Chapter VII, The Planters, in four pages talks about the first plantations established on the island. Chapter VIII, The Golden Age, spends nine pages talking about the period from the Revolutionary War to the Civil War and the ante-bellum plantation system that developed then. Chapter IX, The Civil War, is the actual heart of the book with 18 pages devoted to the battle for Hilton Head and the Union presence on the island after their victory.
The 100 years between the Civil War and the post World War II developments into a resort, when the islands were home to "native islanders," descendants of freed slaves known as the Gullah (or Geechee), are covered in the eight pages of Chapter X, Sleeping Beauty, half of which are devoted to photos. The concluding Chapter XI, The Modern Age, covers in eight pages the development of the resort community from 1950 to 1988.
Painted in broad strokes, The Sands of Time is a brief and general historic introduction to Hilton Head Island. well-illustrated and short, it serves this purpose well. A Sources page listing eight items is a good place to start looking for more information.
Chapter I, The Land Made Ready, is a one page geological history of the formation of the island. Chapter II, The Indians, covers in three pages the native American Yemasee tribe's presence on the island and the legacy of names left by them. In Chapter III, The First Europeans, the 16th century Spanish landings and attempts at settlements are discussed in three pages. The French landing in 1562 gets four pages in Chapter IV. This is followed by the three pages of Chapter V on the Spanish return to the area in the late 16th century. Chapter VI, The English Come to Stay, devotes seven pages to the 1663 explorations of Captain William Hilton, who gave the island its present name, and the English settlements that followed.
Chapter VII, The Planters, in four pages talks about the first plantations established on the island. Chapter VIII, The Golden Age, spends nine pages talking about the period from the Revolutionary War to the Civil War and the ante-bellum plantation system that developed then. Chapter IX, The Civil War, is the actual heart of the book with 18 pages devoted to the battle for Hilton Head and the Union presence on the island after their victory.
The 100 years between the Civil War and the post World War II developments into a resort, when the islands were home to "native islanders," descendants of freed slaves known as the Gullah (or Geechee), are covered in the eight pages of Chapter X, Sleeping Beauty, half of which are devoted to photos. The concluding Chapter XI, The Modern Age, covers in eight pages the development of the resort community from 1950 to 1988.
Painted in broad strokes, The Sands of Time is a brief and general historic introduction to Hilton Head Island. well-illustrated and short, it serves this purpose well. A Sources page listing eight items is a good place to start looking for more information.
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