The Story of Lottie Deno: Her Life and Times, by J. Marvin Hunter

This book was the last biographical work of J. Marvin Hunter, an amateur historian who wrote and published magazines, pamphlets and books about the history of Texas. He had met Lottie Deno when she lived in New Mexico in 1901 under the name Charlotte Thurmond.

This work is made up of many short pieces that together tell the story of Lottie Deno, her 4 years as a gambler at Fort Griffin Texas in the 1870s, and her later life in New Mexico. By using short sketches to build the story, Hunter quotes many points of view and the focus is not only on Lottie, but also on the history of Fort Griffin and Deming, New Mexico.

During the 1870s Fort Griffin on the Brazos River was the US Army's outpost in their war with the Comanche and Kiowa people, a center for the slaughter of the buffalo, and a stop on the Dodge City Cattle Trail. These activities brought a lot of men with money to spend who were looking for a good time to the town outside the fort. That attracted people like Wyatt Earp, Doc Holliday, John Wesley Hardin, Billy the Kid, Sheriff Pat Garrett and Bat Masterson to what Mr. Hunter calls The Wickedest Town on the Frontier. It also attracted a woman gambler who called herself Lottie Deno.

The author does a good job of gathering together a lot of the published materials about Lottie and Fort Griffin that appeared in magazines and books and making it available again in one place. As a result the book jumps around and repeats itself, mixes facts and legends, and is as much about Lottie's times as it is about her life.

The first chapter is his own telling of her early life in a rich family in Kentucky where her father was a prominent citizen farmer with a love of card playing. Having only daughters, he shares his love of cards with his oldest daughter Charlotte. After his death, she takes up gambling on the Mississippi river boats and New Orleans as a way to support her mother and sister, moves on to San Antonio to gamble, and then is drawn to the fast and easy money of Fort Griffin. To protect her family from scandal she takes on the name of Lottie Deno, which was a short form of the slang term "Lotta Dinaro" - Lots of Money.

The second chapter is a re-publication of a description of "Old Fort Griffin" by Don H. Biggers that appeared in his 1908 Shackleford County Sketches. Biggers focuses a lot on the lawlessness of the town. While it was an Army base, the Army's job was war with the native Americans and not civil law, so the town that sprang up outside the fort was not their jurisdiction or concern. He paints a lawless town where over 50 people were killed in a dozen years with little or no legal proceedings.

Chapter III tells the story of Lottie's arrival at Fort Grffin with a long quote from Edgar Rye's 1909 book The Quirt and the Spur. Mr. Rye calls her "a female monstrosity" and relates a story where she stayed calmly at the card table as everyone else in the room fled as two players argued and shot each other. When the sheriff sees her calmly counting her chips near the carnage, he says she has a lot of nerve and that he wouldn't have "cared to take his chances in that scrimmage." Her reply is "Perhaps not, sheriff, but you are not a desperate woman."

The next two chapters are from the point of view of John Jacobs, one of the sheriffs of Griffin, and an acquaintance of the author in the 1920s. These are followed by a chapter that quotes from Alfred Henry Lewis's 1902 novel Wolfville Nights in which his character Faro Nell is modelled after Lottie. More chapters then tell the story of Fort Griffin from and some of the men who lived and died there. Basically, after the buffalo are slaughtered, the Cherokee and Kiowa are starved onto reservations, the fort closes, the town dies, and everyone leaves. It is a story of its own that deserves telling in more detail.

In Chapter XI Lottie's life picks up again in Deming, New Mexico where the author was a reporter for the local newspaper in 1900 and she is married to a rancher named Frank Thurmond. She is a founding member of the town's Golden Gossip Club, and an upright member of the community. There are only rumors that she may have been Lottie Deno.

Little is told of the saloon and gambling room Lottie and Frank ran in New Mexico after they left Texas. Frank killed a man in self defense, and they decided to give up gambling and move to Deming. Much of the end of the book is devoted to turn of the century Deming life.

One of the strengths of this book is the early sketches of Lottie's life and Fort Griffin that Mr. Hunter is able to bring together in one place. He knew Texas history well and was able to piece together a lot of different sources. However, this approach makes the book fragmented, episodic and dated. Hopefully, a new book by Jan Devereaux, Pistols, Petticoats & Poker: The Real Lottie Deno: No Lies or Alibis, published by High Lonesome Books, will provide a more cohesive in-depth look at this woman that many claim was the model for the beautiful, redheaded Miss Kitty who ran the Longbranch Saloon in the famous "Gunsmoke" television series.

Mary Louise by L. Frank Baum writing as Edith Van Dyne

L. Frank Baum wrote book series for girls under the nom de plume Edith Van Dyne. Mary Louise is the first of a series featuring Mary Louise, a plain ordinary rich girl whose grandfather is wanted by the State Department. The novel starts with Mary Louise in a private boarding school while living with her grandfather and mother in a small town. All is well and she has been getting very close to the old man until he is recognized by a stranger staying at the hotel. It is then that Mary Louise's family steals away in the night leaving her alone at the school to face the sudden knowledge that her grandfather is a wanted criminal.

She doesn't know where he is or why the government is seeking him, but she knows deep in her heart that he is too good to have done anything wrong. Watched by secret agents who seek to find the old man through her, Mary Louise must find her way through a cloud of suspicion. The book is the story of how she goes about seeking to find her grandfather and to prove his innocence. A very good adventure story but it is plagued by Baum's stereotyping of black servants and a disabled friend that he refers to as "the chair-girl" because of her wheel chair. An interesting glimpse into the children's books of the early 20th century.

My Talks With Dean Spanley by Lord Dunsany, 1936

A first person narrative of a man who meets Dean Spanley, an elder minister, at his club and discovers the Dean has a strong belief in Reincarnation. He begins to suspect the Dean has more than a belief, he may have actual memories of a past life and becomes determined to find out. Hoping to find scientific proof of the transmigration of souls if he can get Dean Spanley to talk, the narrator invites him to dinner. Believing in the adage "In vino veritas" he plies the Dean with wine. When Spanley drinks too much Imperial Tokay, a rare Hungarian wine, he starts talking about his former life as a country hound in the first person.
The narrator is astounded by the revelation and invites Spanley back several times hoping to discover scientific proof of reincarnation in Spanley's stories of his life as a dog. Each visit is harder since Spanley does not like to drink to excess, but each lapse reveals more of his canine existence.
An excellent short novel full of wonderful detail and dry understated humor. Recently made into a film called simply Dean Spanley starring Jeremy Northam and Sam Neill, this is a delightful tale.

Don Rodriguez: Chronicles of Shadow Valley (1922)
A novel by Lord Dunsany.

"Don Rodriguez: Chronicles of Shadow Valley conveys its young disinherited protagonist through a fantasized Spain, gifting him with a Sancho Panza companion, good luck with magicians, and a castle" -- The Encyclopedia of Fantasy.

Lord Dunsany's first novel, this is a historic fantasy set in a pastoral Spain that could never exist with all the charm and innocence that the author attributes to it. Don Rodrigues sets out on a quest to find a war to fight in so he can win a castle and wealth of his own. Along the way, he finds a loyal servant who wields a mighty fry pan and encounters a magician who shows them how to astral travel and allows them to see the past and the future. Hi finds a lady he loves, wins his castle in a fantastic manner and they "live happily ever after."

The beauty of the story is in Dunsany's prose which is a delight to read and well-suited to the fantastic setting he creates. I totally enjoyed this first novel by one of my favorite authors.

The Tough Coughs As He Ploughs the Dough: Early Writings and Cartoons by Dr. Seuss is a collection of writings from 1927 to 1937 by Theodore Geisel, from the time before be became known to the world as Dr. Seuss. These are not works for children, but rather humorous pieces for magazines like Judge, Life, College Humor, and Liberty. Filled with word play and absurdist writing, the pieces have lost some of their humor but are still interesting background reading for those interested in Dr. Seuss. The illustrations are probably more important than the writing as they show the development of the cartoon style that made Dr. Seuss famous.

Many of the essays are written under the pen name of Dr. Theophrastus Seuss, which would later be shortened to Dr. Seuss. There is a long piece where Uncle Theophrastus explains to his nephew Quackenbush "The Facts of Life." Another delightful story tells of a corporation that decides to forego profit to manufacture items of the highest "Quality."

A series of one-page Little Educational Charts attempt to explain the most absurd aspects of things like the importance of Simplified Spelling (see the book's title for a sample) and other one-page essays on imaginary uses of birds and beasts and whimsical word meanings were obviously humorous magazine pieces. The book ends with a series of ads for a spray insecticide called FLIT that all contain the catchphrase, "Quick Henry, the Flit."

While the writing has suffered a bit from the passage of time, the artistic humor of Geisel's drawings remains, and provides good background for those who only know his children's books.

Milk: A Pictorial History of Harvey Milk is a tribute to a man who was a major force for Gay Rights in the United States. Billed as a photographic history, it also contains moving statements by people who worked with Harvey Milk during his political career in San Francisco.

Part One is called "An Oral and Pictorial History of Harvey Milk" and is filled with pictures form his life and statements from those who knew him or were influenced by him.

Part Two is titled "Milk, The Making of the Movie" and details the movie starring Sean Penn. Both sections were put together by the Academy Award winning writer of the movie, Dustin Lance Black, based on his research for the film.

The Real/Reel life story of Harvey Milk and the 1970's Gay Scene in San Francisco are laid out side by side in this book which provides insight into both the era and the movie.

Important reading to anyone interested in Milk the man or Milk the movie.

The Art of the Aloha Shirt by DeSoto Brown & Linda Arthur

The Aloha Shirt is what people on the mainland call a Hawaiian Shirt, a bright-patterned, collared, short sleeve shirt meant to be worn untucked. Although today we cannot imagine a world without them, this book delves into the origins of the classic shirt looking for its creator.

But first the authors look into the roots of the Aloha Shirt which are deep in the multicultural society of these islands. Polynesian, Japanese, Filipino and Chinese influences are found in this garment's past. The Hawai'ian fabric industry is the subject of one chapter with the local small businesses importing and producing fabric designs and competing with the larger mainland factories.

The roots of Dress-Down (or Casual) Friday are found in the adoption of the Aloha shirt as acceptable business attire in Hawai'i starting in 1947. Hawaii's Aloha Friday during the summer months spread to the mainland in the 1960s.

While the exact date and creator of the Aloha shirt has not been discovered by the authors, they do point to the decade of the 1930s as the likely time. The first mention of Aloha Shirts they can point to is a 1938 children's book called Hawaiian Holiday.

The Art of the Aloha Shirt is richly illustrated in full color with pictures on every page. Celebrities in Aloha print garments abound. Many of the pictures are ads from shops or magazines. There are also pictures of shirts housed in the Bishop Museum and the University of Hawai'i's Historic Costume Collection (Linda Arthur, one of the authors, is curator of this collection).

The Aloha Shirt becomes a symbol of Hawai'ian culture, something that the diverse population can find unity in. As such, it is much more than a garment. It becomes a cultural symbol that is not based on ethnicity, but on a shared sense of place.

The Beats: A Graphic History

This book is "by Harvey Pekar et al." with "art by Ed Piskor et al." While the majority of the text and art are by Pekar and Piskor, the book is actually 25 different pieces on various people and topics of the Beat Generation created by a diverse group of writers and artists.
In the first half of the book Pekar and Piskor tackle the lives of the three major figures: Jack Kerouac, Allen Ginsberg and William S. Burroughs. This is followed by shorter pieces on other people associated with the movement: Kenneth Rexroth, Michael McClure, Philip Whalen, William Everson, Robert Duncan, Lawrence Ferlinghetti, Gregory Corso, Leroi Jones/Amiri Baraka, Charles Olson, Robert Creeley, Philip Lamantia, Gary Snyder, Diane di Prima, Slim Brundage, Jay DeFeo, d.a. levy, and my favorites Kenneth Patchen and Tuli Kupferberg.
To set these biographic pieces in context there are chapters on Jazz, Art, the City Lights Bookstore in San Francisco, and women in the Beat movement.
All together Pekar writes 18 of the 25 chapters, giving the book a continuity yet allowing for diversity of views, while Piskor inks just over half the graphics which keeps the book visually interesting.
Highly recommended even if you only read the two chapters on Patchen and Kupferberg.

Shadow On The Hearth by Judith Merril

A typical day in a Westchester suburb of New York for a family of four is shattered by a nuclear attack on New York City. Gladys is in the basement doing her laundry, her two daughters, Barbara and Ginny are at school, and her husband Jon has taken the train to Manhattan to his job when the bombs start to fall.

The following week's events are viewed from Gladys' viewpoint as she takes in the children's teacher, a discredited nuclear scientist critical of atomic bombs, and hides him and her Slavic maid Veda from the Civil Defense patrols who might see them as enemy spies or saboteurs.

Written in 1950 this is an early science fiction look at the after effects of a nuclear war. It was adapted the same year with a less provocative script as the television drama Atomic Attack, which was the television debut for Walter Matthau as the young doctor.

Judith Merril does a very good job or of presenting Gladys as the US stay-at-home mom of the post-WWII years facing a world turned upside down. I enjoyed reading the book and recommend it.

City of Belief is a novel based on a true story written by a person who was there. The "Author's Note" at the beginning of the book starts with this statement:
"In the early morning hours of November 9, 1965 a young man walked up to the United Nations in New York City, sat on the cement island on First Avenue before the darkened building, doused himself with gasoline and lit a match. The young man was Roger La Porte and he was my friend."
Roger and the author were volunteers at the NYC Catholic Worker, a movement started by Dorothy Day and committed to nonviolence, voluntary poverty, and the Works of Mercy. In 1965 a group of the Catholic Worker volunteers including Roger were involved in anti-war protests and a draft card burning in New York's Union Square.
This novel is a faithful chronology of the events leading up to and immediately following Roger's self-immolation. They have haunted the author for 40 years, and she has finally written about them to share with the world.
It is a story of faith and belief and an accurate depiction of the tumultous times. No one may ever understand what caused Roger to set himself on fire to protest a war he saw as unjust, but this book will give you a glimpse into his life and thoughts.

Besieged, set in 1630's Ulster area of Ireland, is the first of Small's Skye O'Malley series I have read which is a matrilineal historical romance series. It tells the romantic story of Skye's granddaughter Fortune Lindley and Kieran Devers, she a Protestant and he a Catholic, in a very intolerant world. They are faced with the classic “A fish could marry a bird, but where would they live?"

While Small does a fairly good job of portraying the conflict between the local Irish Catholics and their new Protestant landlords, Fortune's family is painted as the only tolerant Protestants in the book. The noble Irish under the cruel Protestant yoke makes the story a bit one sided. Kieran's brother William is a nasty, obsessive villain as is his stepmother, Lady Jane Devers, who marries a poor Irish lord for his land and covets Fortune's large estate.

It is in romance where Small excels and Fortune and Kieran are inspiring lovers. Their passion and devotion are well-portrayed. Her sex scenes are excellent examples of women's erotica, although they are less prominent in this book than they are in works like Love Slave.

Last Dance For Grace : The Crystal Mangum Story — By Crystal Mangum with Vincent Clark

Crystal Mangum was a student at NC Central who in 2006 worked as an exotic dancer. In March of that year she went to a house to dance for a bachelor party being held for Duke University students. She claims she was raped by three people while there. The District Attorney had to withdraw from the case & was disbarred. The Attorney General took over and dropped all charges. She never had a day in court.

Working with Vincent Clark, a documentary film maker, this book is the story she would like the world to know about her. While there are two chapters about the events of March 2006 and one about the legal struggle that followed, the heart of the book is a six chapter biography and a final chapter on how she is putting this event behind her.

Her story is wrapped in three chapters by Vincent Clark who describes the Crystal he met in working on this project. A Foreword by Myra Shird, an NC A&T professor, looks at the broader implications and compares Crystal to Nathaniel Hawthorne's Hester Prynne in The Scarlet Letter.

If you are wanting to know what really happened that night in March 2006, this is not the book that will help you. If you want to know more about "the accuser" Crystal Mangum from her point of view, not that of the press or the Blogosphere, this is her story.

Trouble Under Oz by Sherwood Smith

Trouble Under Oz by Sherwood Smith

This sequel to The Emerald Wand of Oz continues the adventure of Dori and Em, two modern sisters who think they are related to Dorothy Gale (whose adventures in Oz over 100 years ago were chronicles in 14 books by L. Frank Baum). The Nome Prince Rikiki is planning to return home to claim the throne from Kaliko who has been ruling since Rik's father was driven out. Ozma summons Dori, who became friends with Rik in the first book, and asks her to accompany Prince Inga of Pingaree on a mission to visit Rik. She fears that a struggle for power in the Nome Kingdom might trigger a war with their hostile neighbors, and feels Inga, with Dori's help, will be able to communicate with Rik. Meanwhile Em is left at home to cover for Dori's absence.

It is best to be familiar with Baum's original stories to appreciate the many adventures Dori has with Inga and Rik as they revisit lands and people that Dorothy knew 100 years ago. For those familiar with Baum's work this can be a delightful chance to learn more from the latest Royal Historian of Oz. Being the second book of a trilogy, however, do not expect all plot themes to be completely worked out. The third book of this trilogy, while written, has not yet been published. Hopefully soon, the final volume will become available and we can learn the conclusion of this interesting contribution to the Oz series.

All Things Oz is editor Linda Sunshine's "whirlwind tour" of Oz, L. Frank Baum's literary fairyland. She teamed up with Oz memorabilia collector Willard Carroll to put together a sampling of Baum's writings, surrounded by images from Carroll's collection that provides a delightful introduction to new readers and wonderful memories for loyal fans.

Sunshine scoured all 13 of Baum's Oz novels as well as his short stories for passages that exemplify the wit and wisdom that has endeared these books to readers for over 100 years. Each page is in full color with illustrations of Oz and its citizens from all over the world. The result is a beautiful book in word and image that is truly a delight for anyone interested in learning about Oz.

Scouts in Bondage is a photographic collection of book covers of titles that have not withstood the test of time. Compiled by a retired British secondhand book seller, this is an amusement for the bibliophile with a taste for the double entendre. This is a very short book with minimal text. Highlighted are about 45 photos of book covers whose intent was serious at the time but, over time, have developed unintended secondary meanings. Facing these covers is the bibliographic details (Author, title, publisher, date, and size) and occasional excerpts or additional information to add to the amusement.

Being an engineering librarian, I was especially drawn to the technical titles gone wrong such as:

The Resistance of Piles to Penetration

and

Hardening and Tempering Engineers' Tools

as well as the illustration of the goddess Hygieia holding a water closet pull chain on the cover of The Modern Plumber and Sanitary Engineer.

I Love [heart symbol] Lord Buddha. Hillary Raphael

The setting for I Love Lord Buddha is the hostess bars of Tokyo in 1997. The main characters are western hostesses who spend their nights socializing and drinking with men in these bars. Amongst them is a charismatic leader from New York who takes the name HIYOKO and starts recruiting these displaced women into a new-Buddhist group called the Neo-Geisha Organization. Reinterpreting Buddhist philosophy through her cultish mind, HIYOKO plans for a cataclysmic event that will shake humanity into exercising Buddhist values so as to avoid a larger global catastrophy. It is a lively story with lots of sex, drugs, and Buddhist theory, which portrays the lack of spiritual values in modern commercial Tokyo.

The plot unfolds as HIYOKO's cousin Heidi Peterson, a sociology grad student from the States, arrives and starts doing her research on the Neo-Geishas and their enigmatic leader. It takes the form of Heidi's notes, interviews, police reports, and pages from various documents following each other in brief chapters, many only one page long.

Fast pacing and an interesting structure give the novel a unique look and feel. Very little is capitalized. which makes reading a bit hard since the break between sentences is only the tiny period. Without a leading capital letter new sentences can be hard to find at times. However this typographic style contrasts well with the fact that HIYOKO is always in all caps.

Well written and plotted the novel does a good job of creating the world of the characters and the moral dilemma of our times.

The Visitors from Oz. L. Frank Baum

This book is considered by some to be the lost "Third Book of Oz" since the material it contains was written in 2004 and 2005 after the publication of Baum's first two Oz books: The Wonderful Wizard of Oz (1900) and The Marvelous Land of Oz (1904). The book features six characters from The Marvelous Land of Oz who leave Oz to travel through the United States of America.

This is probably the worst of Baum's Oz writing. Baum reused ideas from other books, and engaged in what are today offensive racial and ethnic stereotypes. Twenty six chapters of this book were originally Sunday newspaper pieces that were written as promotional material to advertise the books and the upcoming 1905 stage musical called Woggle-Bug. Seventeen of these were part of a contest in which each story ended in a situation that puzzled all the visitors except the Woggle-Bug who told them the answer but which wasn't revealed until the next week. The readers were invited to guess the answers for a chance at a prize. The last and longest chapter was originally published in 1905 as The Woggle-Bug Book. This segment follows the plot of the stage musical and, with its heavy reliance on ethnic humor, gives a pretty good idea as to why the musical failed. At the end of the book are 15 newspaper articles dated between August 18 and October 3 1904 that detail the flight to Earth by the Oz characters and relate their adventures in false news story style.

At the back of the book is a history of the material's creation and publication called "American Fairyland" that was written by David Maxine. Here we learn that two prior attempts to publish these stories in 1960 and 1986 were edited or abridged to remove offensive words and dialect. This is the first time since its original publication that the stories are printed as they were written.

The book does provide a look into life in the US as it was perceived by Baum 100 years ago. In that sense it provides a clearer perspective on Baum's world than his fairy tales. Also the illustrations by Eric Shanower, although created much later than the text, are delightful representations of the stories by the best Oz illustrator.

A Kiss is Just a Kiss. Bruce Velick

This is not a narrow-minded boy kisses girl tribute to heterosexual romance although there are lots of pictures like that. The book contains 60 black and white pictures that span the 20th century from 1915 to 1988. In addition to the heterosexual romantic kiss there are men kissing men, women kissing women, people kissing animals, animals kissing people and other animals, children kissing each other, adults kissing children, people kissing statues, statues kissing statues, kissing in the foreground, kissing in the background, and even a person kissing the pope's ring.

Each picture has the photographer's name beneath it and a list at the end of the book lists the photographer, the title, the date, and the owner of each photo. Two are from before the 1920s, three are from the 1920s and 30s, eight are from the 1940s, nine are from the 1950s, five from the 1960s, eleven from the 1970s, and 12 are from the 1980s. Ten have no dates associated with them.

These are famous photographic kisses. Included are William Mortensen's The Kiss, Robert Doisneau's Le Baiser de l'Hotel de Ville, Dennis Stock's Cafe de Flore, Weegee's Palace Theater, an untitled kiss by Elliott Erwitt, Louis Stettner's On a Dutch Ferry, and Alfred Eisenstaedt's Times Square VJ Day,

There are also pictures by Peter Marlow, Bruce Davidson, Joan E. Biren (JEB), Chris Steele-Perkins, Henri Cartier-Bresson, Leonard Freed, André Kertész, Burt Glinn, Mary Ellen Mark, Ernst Haas, Barbara Crane, Gilles Peress, Lou Stoumen, Josef Koudelka, Sage Sohier and many others.

Combine this with a delightful essay on the history and importance of kissing by Tom Robbins and you have a great book. It would make a wonderful gift for a lover or a friend. Buy one for yourself and be inspired.

Forever Fifty. Judith Viorst

Judith Viorst has become the poet of aging with books of poetry dedicated to her lyrical and funny perceptions of each decade of life from the 20s to the 60s. With Forever Fifty And Other Negotiations she explores with insight and humor the joys and fears of being in your fifties. The book contains 24 one-page poems that are accompanied by full page graphic illustrations in green ink on a rich cream paper. The 24 graphics are reproduced on the end papers. The attention to design makes this a wonderful gift for a quinquagenarian friend.

The poems are funny and sentimental yet bittersweet. In some poems we see a person who is struggling to accept the limitations of middle age (where running wild is to go for a walk without sunscreen and memory can't be relied upon). In others she seeks the joys that come with the wisdom of years as when she says "We're quicker to laugh, and not so eager to blame." In yet others, she makes affirmations to live life "as a sexy old lady" and lists the things she'd like to do before she goes.
There are poems that take humorous looks at adult children, long-term marriage partners, and young doctors.

Overall, a wonderful but light look at the aging process of the 50s. It is a book you will enjoy, but one that will not burn into your soul.

Nothing Natural. JennyDiski

I found this to be a powerful book that delved deeply into the life of a woman named Rachel who becomes involved in a sadomasochistic relationship with an emotionally distant man. Initially I felt the title referred to this s&m relationship. However, as the author reveals more of Rachel's life, it appears that there is nothing natural in her emotionally starved world. Her parents fought bitterly when she was a child. She struggles with paralyzing spells of depression and is incapable of emotional closeness. She is delightfully articulate and quick witted - an intelligent woman with a large share of emotional distress. We watch her spiraling deeper into a suicidal state and it takes a strong reader to maintain compassion. Finally her darkest hour passes, and the novel ends with her first steps towards a healthier self concept. Compelling reading and wonderful character development - a great first novel.